BIO:
lydia see (she/they/y’all) is a multidisciplinary practitioner, educator, and curator of art + archives who is passionate about the uses of art for social justice + civic engagement.
lydia is:
northern by birth, Appalachian by choice, and is currently relocating to the ancestral lands of the Tohono O'odham Nation and the Pascua Yaqui Tribe (Tucson, AZ);
a serial collaborator, compulsive community builder, practicing studio artist, and educator of students from early childhood through end of life;
a firm believer in the power of cultural access to transform lives;
a curator within and without formal exhibition spaces.
In 2019, lydia launched Engaging Collections, a residency and publication at the intersections of representation + art with libraries, archives, and special collections, with a grant from the Z. Smith Reynolds Foundation as part of their All for NC Fellowship. lydia was a co-founder of the Six Feet and Cabbage School communities, and has had a hand in developing programming, infrastructure, and strategic plans for myriad other initiatives and organizations.
FUN FACTS:
I love a good portmanteau - in fact, I used ARCHETYPOGRAPHIA STUDIO for many years as a catch-all for my studio. It’s a portmanteau of archive, typography, photography and the suffix -ia ( ie: 1. occurring in place names: Appalachia, Columbia / 2. occurring in names of diseases and pathological disorders: pneumonia, aphasia / 3. occurring in words denoting condition or quality: utopia) / I still use the domain because it’s a great way to ensure permanent google-ability.
I’ve been known to jump into swimming holes and rivers as early as February and as late as November most years in WNC. (currently accepting AZ swimming suggestions)
I’m a library tourist - wherever I travel, I try to find a local library to visit.
I work in the studio and with community examining authorship, agency, and representation within the context of material culture—in photography, fiber, sculpture, performance, and curatorial projects—and through archival processes and gestures of craft.
CV
EDUCATION:
Western Carolina University
MFA (2021)
Massachusetts College of Art & Design, Boston, MA
BFA (2014)
RESIDENCIES / FELLOWSHIPS / AWARDS:
2021
Artist in Residence, Peter Bullough Foundation, Winchester, VA
CLICK! PIC Grant (as Six Feet Photography Project), Click! Photo Festival
2020
Curatorial Fellow, Black Mountain College Collection - Asheville Art MuseumBlack Mountain College Collection - Asheville Art Museum
2019-2020
2020
Summer Research Fellowship - Western Carolina University
2019
Summer Research Fellowship - Western Carolina University
First Place, Juried show: Analog | Digital, Beacon Gallery, Boston, MA
2018
Regional Artist Project Grant, Asheville Area Arts Council, Asheville, NC
2017
Inaugural Artist in Residence, the Cabbage School, Sandy Mush, NC
2016-2017
Inaugural Artist in the Community Resident, HUB-BUB + Spartanburg County Public Libraries, Spartanburg, SC
2016
Cabbage School Summit, the Commons, Sandy Mush, NC
Penland School of Crafts Winter Residency, Penland, NC
2015
Penland School of Crafts Winter Residency, Penland, NC
SOLO EXHIBITIONS:
2021
2018
An Apocryphal Cloud of Somewheres and Sometimes (and other works), Downtown Books and News, Asheville, NC
2017
Deaccessioned: the Identity of Accumulated Material, Crutchfield Gallery, Spartanburg, SC
Family Vacations I Have Never Taken, Weizenblatt Gallery, Mars Hill University, Mars Hill, NC
2016
Practice/Process, REVOLVE, Asheville, NC
Special Collections, HQ Studio, Spartanburg County Public Library, Spartanburg, SC
SITE-SPECIFIC INSTALLATIONS / PERFORMANCES:
2021
Affordable Housing, RAMP Gallery, Asheville, NC
New Real Estate Now Available, Cullowhee, NC
Custom, Light-filled, Historic, WCU Fine Art Museum, Cullowhee, NC
If You Lived Here You’d Be Home(less), Asheville, NC
2019
Etiological Relations, Art Fields, Lake City, SC (April 2019)
South Interslopers, South Slope, Asheville, NC
2018
An Apocryphal Cloud of Somewhere and Sometimes for MAINFRAME, the Mint Museum, Charlotte, NC
Vague/Limited, REVOLVE, Asheville, NC
An Apocryphal Cloud of Somewheres and Sometimes, Art Fields, Lake City, SC
Rituals for visual listening I. Water. II. Night., supporting Rhona Eve Clews, {Re}HAPPENING 8 at Black Mountain College, Black Mountain, NC
2017
Correspondences, Maker's Marks, Nichols House Museum, Boston, MA
Community Thread, Trade & Lore, Asheville, NC
Untitled (148 Main st.), Spartanburg, SC
Lighten Up Spartanburg, Spartanburg, SC
2016-2017
Loom with a View, Spartanburg, SC
2015
Mise en Abyme, {Re}HAPPENING 5 at Black Mountain College, Black Mountain, NC
Black Mountain Blue Print, Lake Eden Arts Festival, Black Mountain, NC
Latta Park Installation 1, Charlotte, NC
2014
Untitled (all the tea I drank that year), Peabody Essex Museum, Salem, MA
GROUP EXHIBITIONS:
2021
Future Tense, Carroll Gallery, Marshall University
Out of Office, Collar Works, Troy, NY
Pieces of Light, Durham Arts Council, Durham, NC
2020
Postmarked, Crafting the Future X Penland
Hope is a Horizon, REVOLVE, Asheville, NC
2019
Next Wave, RAMP Gallery, Asheville, NC
Peach Pie, Goodyear Arts, Charlotte, NC
Gendered Fury, Gallery 130, Western Carolina University, Cullowhee, NC
Analog | Digital, Beacon Gallery, Boston, MA
Soundwave, The Bascomb, Highlands, NC
Spartanburg Day School, Spartanburg, SC
FIBER OPTIMISM, Gallery 130, Western Carolina University, Cullowhee, NC
Street/Art, PUSH Gallery, Asheville, NC
Limitless Snowflakes, Gallery 130, Western Carolina University, Cullowhee, NC
2018
Dope, Yet Unfamiliar, Gallery 130, Western Carolina University, Cullowhee, NC
Alternative to What?, Sulfur Studios, Savannah, GA
Future Past: Experiments in Photography, Tracey Morgan Gallery, Asheville, NC
10x100, RAMP Gallery, Asheville, NC
2017
Get Well Soon, the Southern Gallery, Charleston, SC
Sent from a Pure Moment! (honoring and responding to the work of Jack Pierson), Godine Gallery, Boston, MA
Crafted With Strangers, Center for Craft, Creativity, and Design, Asheville, NC
MOTH/MISC, the Mothlight, Asheville, NC
Object as Poet, Center for Craft, Creativity, and Design, Asheville, NC
Apple Pie: an American Art Show, Goodyear Arts, Charlotte, NC
2016
99 Problems (but a Print Ain't One), The Southern Gallery, Charleston,, SC
2015
Fiber/Topographics, West End Bakery, West Asheville, NC
Misprints: An Exploration Into Printmaking, Craft and Design, Asheville Area Arts Council, Asheville, NC
EXHIBITIONS CURATED:
2021
Carolina Record Shop, Buncombe County Special Collections (Engaging Collections)
Connecting Legacies, Asheville Art Museum, Asheville, NC
2020
The Poetics of Space - Life at Six Feet
2019
Tell Me What You See - works by Molly Sawyer, Gallery 130, Western Carolina University, Cullowhee, NC
Incoming Something, Gallery 130, Western Carolina University, Cullowhee, NC
FIBER OPTIMISM, Gallery 130, Western Carolina University, Cullowhee, NC
Street/Art, PUSH Gallery, Asheville, NC
HUSTLERS series (ongoing 2016-2020), High Five Rankin, Asheville, NC
2018
Sorcerous Selections from the Garden of Time and Dreaming, Zachary Sarvis, High Five Coffee, Asheville, NC
Day Aches, Brett Wyatt with Wooly Press, High Five Coffee, Asheville, NC
Simply Serve, Jennifer Mesk + Jonathon Flaum, High Five Coffee, Asheville, NC
Selected Works by Gus Grissom, High Five Coffee, Asheville, NC
2017
Creating from Kindness, Knight Gallery, Spirit Square, Charlotte, NC
Selected Works by Esteban Gonzalez, High Five Coffee, Asheville, NC
Photo:Object, PUSH Gallery, Asheville, NC
We Gonna Be Alright, Reba West Fraser, High Five Coffee, Asheville, NC
Modern Nostalgia - Michael Christopher, High Five Coffee, Asheville, NC
2016
#AVLGLITCH: an Internationally-Sourced Exploration of Glitch Photographs, REVOLVE, Asheville Darkroom + the BLOCK off Biltmore (three-venue exhibition), Asheville, NC
Sorry I made it Weird: Portraits of People You May Know, Andy Herod, PUSH Gallery, Asheville, NC
The DeHulling, Janine Rissewyck + Nicola Bajalia, High Five Coffee, Asheville, NC
Indian Summer Press, Rosy Kirby, High Five Coffee, Asheville, NC
Sculptural Installation, Carley Brandau, High Five Coffee, Asheville, NC
INTERLUDE: 22 Days of Happenings at Black Mountain College Museum + Arts Center, the Center for Craft, Creativity and Design, Henco Pop-up Gallery, 5 Walnut Wine Bar, and the streets of Downtown Asheville, NC
2015
Fiber/Topographics, West End Bakery, West Asheville, NC
Misprints: An Exploration Into Printmaking, Craft and Design, Asheville Area Arts Council, Asheville, NC
PERMANENT COLLECTIONS:
National Museum of Women in the Arts - Library + Resource Center, DC
International Museum of Collage, Fort Worth, TX
Spartanburg County Public Libraries, Spartanburg, SC
Private Collections
TEACHING/SPEAKING ENGAGEMENTS/CONFERENCES:
2022
Keynote: Inner Borders/Crossing Threads, Emerging Conversations Conference, University of Arizona, Art and Visual Culture Education, Tucson, Arizona.
The Critical Eye: Curators in Conversation, Tucson Museum of Art, Tucson, Arizona.
2020
Teaching: Photography 2, Art 455-01 (SP2020, FA2020), Western Carolina University, Cullowhee, NC
Conference Presenter: BMC Playbook. SECAC Conference
Curatorial Talk: Life at Six Feet, Click! Photo Fest
Conference Presenter: Engaging Collections: at the intersection of Art with Libraries, Archives, and Special Collections. Society of American Archivists Preservation Section Twitter Conference, ALA
Teaching: Black Mountain College Playbook, College Art Association Annual Conference, Chicago, IL
Conference Presenter: Relational Equity - Story-sharing Lived Experience for Radical Empathy, Inclusive Leadership Conference, Western Carolina University, Cullowhee, NC
Conference Presenter: Decolonizing the Archive for Museum Diversity: Engaging Marginalized Narratives within Collections for Wider Representation in Museums and Archives, Diversity + Inclusion in Small to Mid-size Museums Symposium, Asheville Art Museum, Asheville, NC
Conference Presenter: Looking Back to Move Forward: Examining Overlooked Histories Through Art Praxis to Build Community and Facilitate a More Equitable Future, Graduate Research Symposium, Western Carolina University, Cullowhee, NC
Guest Lecturer: Public Policy 390: New Entrepreneurs, UNC Chapel Hill
TA: ART136-01: Art History Survey I + ART104-05: Introduction to the Visual Arts, assisting Dr. Jillian Echlin
2019
Teaching: Introduction to the Visual Arts, Art 104-01 (FA2019), Western Carolina University, Cullowhee, NC
3MT Presenter: Art as Amplification in Libraries, Archives, and Special Collections, Western Carolina University
Teaching: Connections at Asheville Art Museum, Asheville, NC
Teaching: Black Mountain College Playbook - School of the Alternative, Black Mountain, NC
Teaching Practicum - Photography 2+3, Western Carolina University
Juror, HUB-BUB Residency selection
Juror, ELSEWHERE Residency selection
Guest Lecturer: Art 450: Arts and Entrepreneurship Intensive, Western Carolina University
2018
Community Day Cyanotype Workshop - Penland School of Craft Penland, NC
Teaching Artist in Residence: Visual Arts, Theater in the Open Summer Arts Workshop, Newburyport, MA
Teaching: Transdisciplinary Photography – the Cabbage School, Sandy Mush, NC
Teaching Artist in Residence: Stone Academy, Greenville, SC
2017
Teaching: the Living Library – the Cabbage School, Sandy Mush, NC
Visiting Artist, Guest Critique - Converse College Drawing 1+2 (SP2017), Spartanburg, SC
Visiting Artist, Guest Critique - Massachusetts College of Arts Fibers Department (SP2017), Boston, MA
Deaccessioned, Artist's Talk, Spartanburg County Public Library, Spartanburg, SC
Guest Critique, Photography Concentration with Mercedes Jelinek, Penland School of Crafts, Penland, NC
Waste: Discarded Materials in Creative Practice, Talk20 Lecture Series, Spartanburg, SC
Juror, 8th Annual Collegiate Art Exhibition, Spartanburg County Public Library, Spartanburg, SC
Juror, Cadenza Literary & Arts Magazine, Mars Hill University, Mars Hill, NC
Visiting Artist, Guest Critique - Converse College Senior 2017 BA, Spartanburg, SC
Visiting Artist, Guest Lecturer - Wofford College, Spartanburg, SC
2016-2017 Teaching: Free All-Ages Workshops: Markmaking, Embroidery, Weaving, Photography, Nature + Land Art, Abstract Expressionism, Printmaking, Collage - Spartanburg County Public Library, Spartanburg, SC
2016
Panel - Aestheticization of Error: the Analog and Digital Materiality of GLITCH, REVOLVE, Asheville, NC
SCLA Conference Presenter - “Artist in the Community: An Artist in Residence Partnership” Columbia, SC
Practice/Process, or: How I Learned to Stop Worrying and Love the Studio, REVOLVE, Asheville, NC
Teaching: Film Composition - Fierce Flix Film Camp for Girls and Gender Minorities, Asheville, NC
Art Education Program Volunteer: Roots + Wings School of Art and Design, Asheville, NC
2015
Teaching: Markmaking, Weaving, Alt-Photo: Archetypographia Studio Workshops, Marshall, NC
Panel Moderator: ReVIEWING Black Mountain College 7 Conference, UNC Asheville, Asheville, NC
EXPERIENCE + CIVIC ENGAGEMENT:
2020
Sylva Art and Design committee, member
Campaign for Southern Equality, Queer Artist group, member
2018-2020
Graduate Exhibitions Assistant, Fine Art Museum, Bardo Arts Center, Cullowhee, NC
2019
Education - Connections Intern, Asheville Art Museum: developing pilot program serving adults with memory loss and their care partners through arts engagement
Graduate Assistant in Art History, Dr. Karen Britt + Dr. Seth McCormick
Volunteer: Tool School for Girls, UNCA STEAM Studio, Asheville, NC
2018
Graduate Assistant in Art History, Dr. Karen Britt + Dr. Seth McCormick
Centering Intersectional Feminism webinar, Standing Up for Racial Justice
Gallery Associate, REVOLVE, Asheville, NC
2017-2018
Archivist, Mountain Gardens, Celo, NC
Fabrication and on-site Assistant to Artist Eli Blasko, Art on the Atlanta Beltline, Atlanta, GA
2017
Curation and Interpretation, Creative Consulting, Strategy: About Face Charlotte, Charlotte, NC
Installation + Documentation, Art2, Spartanburg Art Museum
C4 Hatch Training Intensive: Fuse Arts Center, Atlanta, GA
Fabrication, Mural painting, Assistant: BannanBlasko, Spartanburg, SC
2016
Collaborative Founder and first resident artist of the Cabbage School
Installation/Documentation: Seeing Spartanburg in a New Light by Erwin Redl, Bloomburg Grant-funded Project
ArtistsU - “Making Your Life as an Artist” Workshop: Tapp's Art Center, Columbia, SC
2015-2016
Outreach + Development Coordinator: Black Mountain College Museum + Arts Center, Asheville, NC
MEMBERSHIP:
College Art Association
Southeast College Art Association
PUBLICATIONS/PRESS:
2020
Editor, Engaging Collections Journal
Mapping Craft - This is where we meet, photoessay
“MFA Student Emerges as a Change-Maker in North Carolina” - Western Carolina University
2019
“On Living in a Flood Plain and an Internet Desert,” Photoessay, Dilettante Army
“Went There: Analog | Digital @ Beacon Gallery” - Gina Lindner, Boston Hassle
ArtFields Catalogue - juried exhibition
2018
Asheville Made, April 2018 - feature
ArtFields Catalogue - juried exhibition
the _____ House, Essay and Photograph
2017
Ghost Proposal, no.7, Fall 2017 - Cover Image
PHOTO:OBJECT, zine catalogue, 2017
Maker's Marks: Art, Craft, and the Fiber of Change, Exhibition Catalogue, Nichols House Museum, Boston, MA (March 2017) - Essay, Photographs, and Artworks published
“A year in Spartanburg with Hub-Bub Artist-in-Residence, Lydia See“ - interview, City Podcast, Spartanburg, SC
“Lydia See’s latest exhibit travels to places unknown” Mountain Xpress, February 10, 2017
“Artist in Residence” - Spartanburg Magazine, February 2017
“Artist in Residence Program” - Spartanburg County Public Library Magazine, Winter 2017
2016
“Artist joins revamped Hub-Bub residency program” - Spartanburg Herald-Journal, 9.4.16
“Lydia See to focus on art accessibility during Hub-Bub residency" – interview, City Podcast, Spartanburg, SC
2014
Photographer - Adventures in Letterpress, Brandon Mise. Laurence King, 2014
my photography and/or writing has also appeared in: USA Today, SPIN, The New York Times, Signal to Noise, SIFT
+ numerous other regional and national print publications, blogs and online publications.